FERROUS BULL 1968

$235.00
SOLD

【The Concept】

A silent diorama of tension and gravity.
This object transcends the definition of a mere desktop tray; it is an architectural landscape. Capturing the solitary moment of a heavy bull lowering its neck to drink from a quiet pool, the specimen invites the viewer into a paused state of nature. Notice the absolute eradication of realistic details. There are no carved eyes, only two subtle, convex protrusions that catch the shifting light of the room. It is a masterful execution of Japanese subtraction—asking not how much can be added, but how much can be stripped away until only the core geometry of the animal remains.

【The Architecture】

When a 400-year-old forge meets 1960s Modernism.
Birthed in the mid-20th century, this artifact documents a pivotal collision in Japanese art history. Traditional "Nambu Tekki" (cast iron), historically used for highly ornate tea kettles in Iwate Prefecture, was suddenly thrusted into the rigid logic of the modernist movement.
An anonymous but highly distinguished master of the Showa era utilized this ancient material to explore extreme minimalism. The sweeping curve of the bull's horns and its planted stance echo the principles found in western mid-century furniture, yet the piece is firmly rooted in the primitive "Yo-no-Bi" (Beauty of Utility) of Japan.

【Material Integrity】

The strict contrast of cold forge and warm grain.
The brilliance of this curated piece lies in its strict material division. The upper structure—a 225-gram iron spirit—features the unique "Ihada" (casting skin). This granular, matte-black finish is achieved only by pouring 1,400°C liquid metal into sand molds, leaving an organic micro-texture that swallows light.
This dense iron rests above a carved plateau of solid, warm beechwood. The smooth, biomorphic hollow of the wooden base symbolizes the water, providing an aesthetic shock when set against the unyielding black metal.

【Presence】

A grounded center for the focused mind.
Functionally engineered to house daily pocket items or creative tools within the wooden recess, its true purpose is atmospheric. Placing this Ferrous Bull on a mid-century credenza or an executive desk fundamentally alters the room's center of gravity. It does not demand attention; it quietly dominates the space, serving as an immovable reminder to embrace stillness within a chaotic digital era.

【The Concept】

A silent diorama of tension and gravity.
This object transcends the definition of a mere desktop tray; it is an architectural landscape. Capturing the solitary moment of a heavy bull lowering its neck to drink from a quiet pool, the specimen invites the viewer into a paused state of nature. Notice the absolute eradication of realistic details. There are no carved eyes, only two subtle, convex protrusions that catch the shifting light of the room. It is a masterful execution of Japanese subtraction—asking not how much can be added, but how much can be stripped away until only the core geometry of the animal remains.

【The Architecture】

When a 400-year-old forge meets 1960s Modernism.
Birthed in the mid-20th century, this artifact documents a pivotal collision in Japanese art history. Traditional "Nambu Tekki" (cast iron), historically used for highly ornate tea kettles in Iwate Prefecture, was suddenly thrusted into the rigid logic of the modernist movement.
An anonymous but highly distinguished master of the Showa era utilized this ancient material to explore extreme minimalism. The sweeping curve of the bull's horns and its planted stance echo the principles found in western mid-century furniture, yet the piece is firmly rooted in the primitive "Yo-no-Bi" (Beauty of Utility) of Japan.

【Material Integrity】

The strict contrast of cold forge and warm grain.
The brilliance of this curated piece lies in its strict material division. The upper structure—a 225-gram iron spirit—features the unique "Ihada" (casting skin). This granular, matte-black finish is achieved only by pouring 1,400°C liquid metal into sand molds, leaving an organic micro-texture that swallows light.
This dense iron rests above a carved plateau of solid, warm beechwood. The smooth, biomorphic hollow of the wooden base symbolizes the water, providing an aesthetic shock when set against the unyielding black metal.

【Presence】

A grounded center for the focused mind.
Functionally engineered to house daily pocket items or creative tools within the wooden recess, its true purpose is atmospheric. Placing this Ferrous Bull on a mid-century credenza or an executive desk fundamentally alters the room's center of gravity. It does not demand attention; it quietly dominates the space, serving as an immovable reminder to embrace stillness within a chaotic digital era.

【Context】

  • Identity: Anonymous Mastercraft of Mid-Century Japan

  • Craft: Vintage Nambu Tekki (Cast Iron) & Beechwood

  • Era: Late 1960s (Showa Period Archive)

  • Function: Structural Object / Executive Valet Tray

  • Condition: Exceptional Gallery Grade. Authentically preserved with dignified signs of time.

【Dimensions (Approx.)】

  • Length (Base): 19.5 cm (7.7 in)

  • Depth (Base): 11.5 cm (4.5 in)

  • Height (Bull): 7.0 cm (2.8 in)

  • Weight (Iron Bull): 0.23 kg (0.50 lbs)

  • Weight (Wooden Tray): 0.16 kg (0.35 lbs)

  • Total Weight: 0.39 kg (0.85 lbs)

 

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LUNAR TALISMAN 1970
$320.00

【The Concept】

A collision of ritual sound and celebration.
This specimen represents a fascinating metamorphosis of Okinawan culture. While its silhouette mimics the "Dachibin"—a traditional, ergonomically curved portable flask for Awamori (Okinawan liquor)—its interior serves a completely different function: a Tsuchi-rei, or sacred clay bell.

In this object, the mundane joy of sharing spirits (liquor) is combined with the ancestral belief in the purifying power of sound. To own this piece is to hold a "Sanctuary for the Ears," designed not for hydration, but to ward off silence and bring prosperity through its deep, earthy resonance.

【The Architecture】

The Geometry of the Hip and the Moon.
Standing at an impressive length of 25cm, this artifact faithfully reproduces the crescent-moon shape essential to original 18th-century Ryukyu craftsmanship. This curve was not merely aesthetic; it was an ergonomic necessity, designed to sit flush against the carrier's body while working in the fields or traveling on horseback.

The specimen features "Mimi" (sturdy side loops) through which a thick, dark brown cord is threaded, further reinforcing its identity as a vessel meant for a life in motion. The asymmetry of the spouts—a large trumpet-like opening for filling and a narrow spout for pouring—is executed with obsessive detail, transforming what could be a simple bell into a profound document of ergonomic history.

【Iconography: The Laughing Fish】

The resilience of Mingei and the fertility of the Sea.
Dominated by the "Gyomon" (Fish Motif), the face of this sentinel captures the heart of Tsuboya-yaki (pottery). These fish, incised with swift, unhesitating strokes known as Senbori, represent fertility, prosperity, and the life-giving ocean surrounding Okinawa.

Following the artistic lineage established by the "Tsuboya Trio"—legendary anonymous masters including the first National Living Treasure of the region—these fish possess a distinctively human-like, almost laughing expression. This "Laughing Fish" represents a visual resilience, the ability of a culture to maintain its warmth and humor even after surviving profound historical hardships.

【Material Integrity】

The "Sancai" Palette of Okinawa.
The surface of the archive entry is a laboratory of elemental interaction. The glaze work utilizes a traditional "Sancai" (three-color) system:

  1. Amber (Ameyu): The iron-rich, earthy brown adorning the rims.

  2. Emerald Green (Ryokuyu): A vibrant splash representing the coastal waters of Saga and Okinawa.

  3. Cobalt Blue (Gosu): The indigo rhythm etched into the rhythmic wave patterns.

The contrast produced by the Senbori (incised lines) allows the glazes to pool in the grooves, creating a tactile depth that changes as light shifts across its surface. It is the raw logic of Mingei—where the beauty of the glaze is governed by the scars in the clay.

【Presence】

A grounded guardian for the home.
Due to its large scale, this is not a personal amulet to be carried, but a "Ceramic Sentinel" meant for the focus of a sacred space—a bookshelf, an altar, or the center of a contemporary gathering table. Its sound is profound and grounding, intended to be rung only on special occasions to purify the home's air and recall the lush, humid wind of a subtropical landscape. It serves as an immovable bridge between the physical celebration of liquor and the spiritual celebration of protection.